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Oeuvre and Me
I have always avoided the idea of the “auteur” in film studies—that treatment of certain directors as the structural equivalents of great novelists. Auteur criticism has inevitably privileged a...
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Zero Point Breaky
American “feminism” For probably dubious reasons, I find myself compelled to rehearse a feeble defense of Zero Dark Thirty (read: a defense of Kathryn Bigelow, director of Point Break, who for some...
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How Email Ruined My Life
(For Tom) I got my first email account the fall I started graduate school, in 1995. Even then I had an inkling of the pressures that would come to be associated with this miracle of communication....
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